To become New York City Ballet’s Soloist is what every ballet dancer dreams of. And it’s not the easiest of dreams. But it’s possible. How? Let’s ask the soloist herself!
Megan Lecrone (32, North Carolina) became NYCB’ Soloist in February, 2013. Her performances emanate magic and passion for dancing. Her life is absolutely dedicated to ballet which translates into audiences falling in love with her fine yet powerful moves. Her motto? BE BRAVE.
Growing up in North Carolina was definitely not like what I experienced after coming to New York. I felt very sheltered there. And my parents didn’t try to help me get more exposure. They supported my endeavors, but they were not initiators for my ballet education at all. Still, I knew there was a bigger world out there but I didn’t have much access to it and what was going on in Dance besides what I would read in a few Dance magazines that I would find around the studio or what I saw on tapes that I would watch in the library, but many of those tapes were out dated.
I knew I would become a professional ballerina when I realized that you could actually dance for a living, that companies existed and that being a ballerina was a real thing that people actually did. That’s when I decided to go to performing arts high school. For a long time it was all just like make believe for me. I liked moving and I liked the music and I liked to solve problems with my body, and I liked performing, but I didn’t think about ballet beyond what was happening for me in the studio or in my local performances.
I think that Peter Martins took and bing risk by hiring me (so that was a breaking point) and he also took another one by not letting me go when I was on medical leave which ended up lasting for about 7 years total. When I started to dance again, I had to start over in a way.
I think I was really afraid to admit that I actually did want to be a ballerina in one of the best companies because I felt so far behind and also because I was afraid it would not happen. If Peter had not taken an interest in me I think things would have turned out very differently.
The amount of hours I dance a day depends. It varies according to what I’m rehearsing/performing. At the most I work from 1030am to 10pm with a few hours off somewhere in the day. At the least, an hour a day. I try to take one day a week completely off from activity though to rest and recover.
The range of emotions when performing as soloist in the New York City Ballet is so large. Lately I feel more confident and relaxed than I ever have but I think I have the capacity to feel even more ownership of my dancing and feel more relaxed, free, abandoned. That will come I think. I’m working on it, but some things like that you just have to be patient with and not try to force them out of you, otherwise it starts works against you. At least for me.
The most insane experience I’ve ever had as dancer has been working with Paul McCartney on Oceans Kingdom. I had a nice role in that, I was somewhat featured. Anyways, he did the music for it but he would also come to rehearsals and put in his two cents regarding the dancing or choreography. So I got to interact with him a bit and I have a personalized thank you letter from him which is pretty cool.
I love dancing with men. I guess sometimes it’s hard to communicate to each other what you need and want in the dance and to actually do it so both parties are happy…But that happens with anyone
This is so weird but recently I’ve found motivation from within myself. And I never thought I’d say that. Lately I’ve been focusing a lot on the past… it could be the past moment, the past day, the past month…I’ve been thinking a ton about the past 15 years in general. Doing a lot of reflecting. I can’t help it. Maybe its because I’m in my thirties now? Anyways, I keep remembering all these things I’ve done or said or ways I’ve danced and rehearsed and performed that I’m really really really not happy with, times that I didn’t serve myself well or others well…And that feeling is so awful that it motivates me to keep working on those things and doing my part to change them, so that they get better. I really have to fight negative thoughts though. I can easily self defeat because I get frustrated if I don’t see results right away!
I’d like to be a principal and I’d like to not have anymore serious injuries or sicknesses.Also to be married and have a family. I just want to be a better version of myself. When I was a kid I thought about being an ice skater or vet or surgeon
My advice for young dancers? Be brave.